10:24 of nothing
During my studies of Scenography the lecturer Andreas Voigt confronted each of us in a seminar called "Images, Signs & Tales" with a different list of 24 words out of a book of Giordano Bruno and the advice to develop a work of art out of your list.
1) I first analyzed its layout:
3 3 3
3 3
3 3 3
2) Then divivde those into three layers,
and played with the sizes of each layer:
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
3) Beside I researched about the black square by Malewitsch and early video work by f.ex. Hans Richter. Starting to experiment with sound giving every field a note:
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
4) and started to develop some chords out of this system.
Finally I ended up with a sound, video work, which is a reminiscence to Kasimir Malevichs "Black Square" painting, bringing it to movement in the style of early 1920s video art. The video was filmed with my first smartphone: Nokia 6210. The light falling into the square creates a constant visual movement by partly overlapping the black creating a visual gradience and those abstract stills.
10:24 of nothing
During my studies of Scenography the lecturer Andreas Voigt confronted each of us in a seminar called "Images, Signs & Tales" with a different list of 24 words out of a book of Giordano Bruno and the advice to develop a work of art out of your list.
1) I first analyzed its layout:
3 3 3
3 3
3 3 3
2) Then divivde those into three layers,
and played with the sizes of each layer:
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
3) Beside I researched about the black square by Malewitsch and early video work by f.ex. Hans Richter. Starting to experiment with sound giving every field a note:
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
c d e c d e c d e
f g f g f g
a h c' a h c' a h c'
4) and started to develop some chords out of this system.
Finally I ended up with a sound, video work, which is a reminiscence to Kasimir Malevichs "Black Square" painting, bringing it to movement in the style of early 1920s video art. The video was filmed with my first smartphone: Nokia 6210. The light falling into the square creates a constant visual movement by partly overlapping the black creating a visual gradience and those abstract stills.